Anti-Hero — A hero that is driven by pursuit for power, sex, money, control, or particular vices and because of this, they are often selfish, anti-social, power-hungry, and materialistic. Each archetype has more categories within, as well. It included 30 character types, each exemplifying a group and characterized by his most prominent trait: Boy/girl next door: Is John or Mary really what he or she seems? 10. You will improve your English in only 5 minutes per day, guaranteed! This is played for all types of emotions and genres, including comedy, drama (Forrest Gump), and tragedy (Norman from Psycho), Nemesis/Challenger — They usually exist to hate the hero, for any number of reasons. These are especially common in fairy and folk tales. Despite the hard attitude they portray, they are often the most vulnerable (Evie from Thirteen), Turncoat — The character who switches sides at some point to help out the other side (Cypher from The Matrix), Village Idiot — A character usually known locally for ignorance or stupidity, but are often shown to have a good heart and can contribute to either the downfall or the uprising of the hero (Noah Percy from The Village), Whiskey Priest — A priest or ordained minister who teaches at a high standard but also showcases moral weakness through drinking alcohol or other vices (Father Callahan from The Exorcist), Wise Fool — A “fool” or somewhat socially hindered character with an attribute of wisdom (Dory from Finding Nemo), Wise Old Man — An elderly character who provides wisdom to the protagonist (Gandalf from The Lord of the Rings), Yokel — A term referring to the stereotype of unsophisticated back country characters (Carl Spackler from Caddyshack). A stock character is a stereotype or a flat character. Examples of Round Characters from Literature: In Jane Austen's Pride and Prejudice, the main character Elizabeth Bennett is a round character.We learn much about Elizabeth's thoughts and feelings, and even how her pride stands in the way, initially, of her feelings for Mr. Darcy. Archetype (n): a very typical example of a certain person or thing; types that fit fundamental human motifs. Fall Guy — The scapegoat that the powerful or empowered use, Father Figure — The man who showcases authority, yet has a pure heart and will do all he can to protect those he loves and watches over, either physically or emotionally (Atticus from To Kill a Mockingbird), Femme Fatale — A beautiful but mischievous and traitorous woman (Catherine Trammel in Basic Instinct), Ferryman — A character that acts as a guide or aid, allowing characters to travel over near impossible obstacles to reach specific destinations (Heimdall from Thor), Final girl — The “last girl standing” in a horror movie (Laurie from Halloween), Gentle Giant — Big, strong, and intimidating, but they’ve got a heart of gold. If you want to write a screenplay that’s worthy of positive attention from screenwriting competitions, Hollywood development executives, producers and actors — then it’s important to understand archetypes and stock character conventions. The hero could be the warrior, proto-female, scapegoat, etc. Make sure your lead character’s attendant complements him or her, but also keep their relationship fresh by introducing some vulnerability in the main character the subordinate can exploit. Mother Figure — The mother figure is always the source of nurturing and comfort, offering guidance while also sometimes coming off as over-controlling and worrisome, but always acts from the heart (Mrs. Baker from Boyz n the Hood and Mrs. Gump from Forrest Gump), Mother’s Boy — A man who is excessively attached to his mother. Dynamic characters A dynamic character is one that changes over the course of the story. This character easily pales in comparison with a complicated villain or sidekick, so make an extra effort to invest your protagonist with personality — or relegate the squeaky-clean persona to a secondary role. Well! What are some of the others that we missed? Well-selected stock characters (e.g., a wise old man or a puffed-up military officer) can serve as an effective foil for a main character, particularly in comedy, but they aren’t compelling as protagonists. Archetypes are more broad character types that can be found in all walks of life, literature, and overall fiction. 7. Hinton's The Outsiders, Ponyboy is a round character. Here are three definitions of terms that all writers need to know when developing characters, whether they are main, supporting, or minor. He has had a previous development deal with Lionsgate, as well as multiple writing assignments, including the produced miniseries Blackout, starring Anne Heche, Sean Patrick Flanery, Billy Zane, James Brolin, Haylie Duff, Brian Bloom, Eric La Salle, and Bruce Boxleitner. 12. Flavio . There’s nothing wrong with having a character represent a cliche. Often considered “stock characters,” flat characters can often be summarized in one word (like “bully” or “love interest”) and never digress from or transcend their role. Pronunciation Guide Compare the recording of a native speaker with TTS voice. You have given us a fascinating list of characters and told us, essentially, that we shouldn’t use any of them in our stories. With that in mind, we’ve scoured the internet looking for multiple examples of stock characters, tropes, and variations of the character archetypes from Carl Junger’s teachings, as well as Joseph Campbell’s mythos. Stock characters are ones who represent specific stereotypes. Once you’ve picked the types of characters you want, learn how to master character names and movie titles with this free guide. 99 Archetypes and Stock Characters. Nerd: Geek, dork, nimrod — been there, done that. Later versions of the c Hints of depth, or of deviousness, or both. They may be god-like in power, but have a much narrower focus and struggle with limits based on what they represent (Joy, Sadness, Fear, Anger, and Disgust from Inside Out), Audience Surrogate — Characters who the audience sympathize with by actively seeing themselves as them. And what makes him (or her) interesting? Pessimist — For them, the glass is always half empty. Femme fatale: The enduring appeal of the deceptive villainess is whether she is in fact aiding or thwarting the protagonist. It does make me wonder just who we might be permitted to write about – or is this not so much a ‘writing help’ blog as a ‘don’t you dare try writing’ blog? The adorkables are sweet underdogs. Your title and acute advice on how to restock stock characters got my writing juices flowing this morning. Hooker with a heart of gold: The bad girl turned good girl is a nice repudiation of moral intolerance, but it’s a stale stereotype. Stock character definition: a character in literature , theater, or film of a type quickly recognized and accepted by... | Meaning, pronunciation, translations and examples Some character archetypes, the more universal foundations of fictional characters, are also listed.. I have recently been studying the stock characters of Commedia dell’arte. We sometimes talk about stock charactersin literature. Stock character, a character in a drama or fiction that represents a type and that is recognizable as belonging to a certain genre.. Stock character definition, a character in literature, theater, or film of a type quickly recognized and accepted by the reader or viewer and requiring no development by the writer. The definitions for cliché and tropes obviously fall in line with what Hollywood has long referred to as stock characters. Accurate and interesting! There are only so many story templates and so many character templates, but I wrote this post to remind writers that they should not be content with dusting off stock characters and shoving them onstage: Find something interesting and unexpected about your ingenue or your sidekick — throw in a twist — or the character is likely to lie flat because you’ve given it nothing to work with. The nemesis or challenger is often similar to the hero in many ways and thus is always trying to overshadow due to jealousy or outright hate (Loki from Thor), Nerd — Usually a socially-impaired, obsessive, or overly-intellectual person. Share this on Facebook and Twitter and let us know which ones weren’t on this list. As in the case of her sister the femme fatale, readers shouldn’t be able to predict how she will behave. Tip of using English Dictionary Show English-English Dictionary search result at one go. You know them: the mad scientist, the poor little rich kid, the hard-boiled detective. 6. Stock definition is - a store or supply accumulated or available; especially : the inventory of goods of a merchant or manufacturer. This is a character who does not change and has no depth, and could be in any story. In S.E. Looser versions of the stock character have been around since ancient Greece with the plays of Aeschylus and Sophocles, when certain deities would serve the role of the fool.Chaucer’s Canterbury Tales has a cast of stock characters, and almost all of Shakespeare’s comedies (and some of his tragedies) employ the use of the fool. They are also either usually unmotivated and don’t care about how they are perceived, or they do and try to make the change, only to fail time and time again (Charlie Brown from The Peanuts and arguably the guys behind Pied Piper in Silicon Valley), Lovable Rogue — They break the law and don’t always seem to care about anyone else, but they often show enough heart in the end for audiences to like them (Han Solo from Star Wars), Lovers — Star-crossed lovers who fall romantically in love, despite the constant conflict of other characters. Thus creating characters that, on the surface, may seem more routine until the story challenges them in many ways. Maybe they’ve even encountered waitresses like her in real life. Psychopath — They have no conscience, are amoral, and have the inability to feel or care for others. She’s done and overdone — at least in films. For example, the villain could be a tyrant, devil, schemer, etc. Peacemaker — They try to force the peace between characters and situations. They eventually A stale character is a stiff book. Absent-Minded Professor — An absent-minded scientific genius (Doc Brown from Back to the Future) All Loving Hero — A character that loves everyone and will suffer for the sins of their loved ones. Tortured artist: In literature as in real life, complicated creative types are tiresome. 2. A stock character is a conventional character that's instantly recognizable to readers because it pops up everywhere. Excellent, Mark. Ken Miyamoto has worked in the film industry for nearly two decades, most notably as a studio liaison for Sony Studios and then as a script reader and story analyst for Sony Pictures. Magnifico – The Master of Laketown from “The Hobbit” displays characteristics… Fezzik.What do these three massive men have in common—aside from gargantuan grocery bills? A stock character is somewhere between an archetype and a stereotype: a character who intentionally fits a narrow, predictable description. Usually the voice of reason between all. But, for example, in the brilliant film Brick (film noir meets adolescent angst), the school brain is not an object of scorn but an awkward, laconic human database for the teenage gumshoe — and there’s a touch of empathy for him in the way the lead character keeps him at arm’s length. They are usually controlling, competitive, stubborn, aggressive, and always call the shots, Boy Next Door — The average nice guy that does everything in the right, Career Criminal — This character commits high stakes crime and is often smart and highly skilled (Neil McCauley from Heat), Champion — The character who is devoted to the cause/life/honor of one character and everything that they entail (Sam from The Lord of the Rings), Child — This character is young in age or spirit, and loves adventure — or at least they think they do until they truly experience it (Tim from Jurassic Park), Chosen One — They have been chosen by someone or some force and are the only ones capable of resolving the plot (Neo from The Matrix), Chooser of the Chosen One — This is the character who finds and chooses The Chosen One (Morpheus from The Matrix), Conscience — A classic character type whose sole purpose is to act as the hero’s conscience and moral compass (Jiminy Cricket from Pinocchio or Clarence from It’s a Wonderful Life), Contender — A competitive underdog (Rocky from Rocky or Daniel from The Karate Kid), Corrupter — Their primary role in the story is to bring out the worst in everyone (Rumpelstiltskin in Once Upon a Time), Damsel in Distress — A noble and innocent woman in need of rescue (Kim in Taken or Lois Lane in Superman), Dark Lord — The near-immortal personification of evil (Sauron from The Lord of the Rings), Dumb Muscle — This character lacks intelligence, or fails to showcase it, and are tasked with doing the heavy lifting of the villain or any antagonist, Elderly Master — A wise, powerful man or woman teaching their powerful craft to a young student (Mr. Miyagi from The Karate Kid). Dottore. Columbina. They won’t take risks and often complain about everything every chance they get (Hudson from Aliens). 5. Use this list either as a tool to develop the inhabitants of the worlds you create or use them as red flags to seek out any cliches that you may have written and overlooked. What if your femme fatale is herself deceived, either by the protagonist or by a third character? Their serious and no-nonsense attitude makes his partner look all the more crazy and funny (Abbott from Abbott and Costello movies), Storyteller — A character that is noted for his or her ability to tell tales, or those that choose to do so, even to the dismay of the other characters (Wally from “Crocodile” Dundee), Superhero —A hero with special powers that vows to protect the world around them (Marvel Cinematic Universe characters), Super Soldier — A soldier who operates beyond human limits or abilities  (Luc Deveraux/GR44 from Universal Soldier), Supervillain — Antithesis to the Superhero, Swashbuckler — A joyful, noisy, and boastful renaissance era swordsman or pirate (Jack Sparrow from Pirates of the Caribbean), Tomboy — A girl usually interested in sports, activities, and displaying attributes that often fall under the umbrella of boys and men in society (Scout from To Kill a Mockingbird), Tortured Artist —They often display constant torment due to frustrations with art and society, Town Drunk — Usually a male in a small town who is known to be drunk in public fashion, Tragic Hero — A hero with a major flaw that leads to his or her eventual death and downfall (Anakin Skywalker from the Star Wars prequels), Trickster — They are often the trouble makers, liars, and the self-absorbed. It’s a balancing act to keep readers guessing to the very end of the story—and that may not be enough. Copyright © 2020 Daily Writing Tips . Keeps them interesting and unique. Examples include Dr. Drakken from Kim Possible, Jack Spicer from Xiaolin Showdown, Mojo Jojo from The Powerpuff Girls, and The Hacker from Cyberchase. 3. Clown/fool: Traditionally, the court jester — often someone of fragile mental stability or feigning the same — was the only person allowed to mock or question his powerful patron, and his antics involved not only lighthearted entertainment but also sometimes barbed satire or veiled criticism. A comic-relief character needs to be more than just a wisecracking or mischievous type. Arlechinno. A talk about stock characters and compareing todays with commedia del arte's time. Most writers have an inherent understanding of how to categorize their characters based on classic, “ In a stricter definition, stock characters originated in the theater. 8. What is the difference between Archetypes and Stock Characters? Origins of Stock Characters. With that in mind, stock characters can benefit from that treatment as well. there are many examples of characters that mostly follow the characteristic of these stocks but on some occasions,they challenge it. Pantaloon, stock character of the 16th-century Italian commedia dell’arte—a cunning and rapacious yet often deceived Venetian merchant. Taken from the original Star Trek series where characters with red shirts were often those expendable characters going out on missions with the main characters. They’re often from different sides of the tracks (Romeo and Juliet, Tony and Maria from West Side Story), Loyalist — They have the strong ability to support others and always remain loyal in doing so despite their own lack of abilities and feeling of self-worth (Dr. Watson from Sherlock Holmes), Mad Scientist — Usually insane or highly eccentric. More preferred contemporary variations are those that have a heart and contribute to the story in a positive way (Raymond from Rain Man), Mentor — The mentor is the adviser, the expert, and is usually intelligent and wise in whatever field of expertise or philosophy that they are known for. Stock characters are based on clichés … It inspires one to dig deeper than that superficial label. Hey guys! Her personality is evident from her demeanor, her expression, her manner of talking, and the typical glasses that seem to define such teachers. Many writers don’t know the difference between a Archetypes and Stock Characters, and the truth is, even writers that do walk a very fine line between the two as they develop characters for their stories. Examples of stock character THE PERVERT Frankie Cheeks, a character from Final Destination (2006), can be seen as a pervert. But they sometimes showcase some heart in the end (Max from The Road Warrior), Anthropomorphic Personification — The living embodiment of a fundamental abstraction. Twists within twists keep this trope fresh. The following list labels some of these stereotypes and provides examples. They are often a member of a species that traditionally does nasty things to people, but that is not in their own personal nature (Frankenstein), Rightful King —  A lost or forgotten just ruler whose return or triumph restores peace (Aragon from The Lord of the Rings), Seeker —They are always on a quest for the truth, uncovering mysteries, lies, and deception despite all dangers both big and small that they face on a personal and professional level (Erin Brockovich), Shrew — A bad-tempered or aggressively assertive woman, Side Kick — The friends and helpers of the main hero. Sidekick: The protagonist’s right-hand man or woman serves as a counterpoint: intrepid vs. timid, serious vs. silly, and so on, one way or the other. Resist the urge to go the Cinderella route: If an androgynous or athletic woman or girl refuses to conform to societal standards for feminine appearance, go with it. Pantaloon dressed in a tight-fitting red vest, red breeches and stockings, a pleated black cassock, slippers, and a soft brimless hat. Pantalone. Zooey Deschanel’s Jess from New Girl is the greatest, most in-your-face expression of the adorkable archetype – as you’ll recall, Fox actually hung the sitcom’s whole advertising campaign on the word – but sensitive Ted from How I Met Your Mother, Jim from The Office, with all of his aw-shucks grinning, and Rory aka Mr. Amy Pond from Doctor Who also fit here. The formal study of fictional characters began with Aristotle's student Theophrastus. Definition: Hagrid. Stock Characters Click on the class or stock character below to see a character analysis compiled from years of research and performance. Stock characters are often unavoidable in screenplays because they usually serve a direct atmospheric — and sometimes structural — purpose. Damsel in distress: The helpless young maiden is one of the most tired tropes in storytelling — and so is the helpless young maiden turned butt-kicking babe. Rebel — Despite the fact that many believe James Dean in Rebel Without a Cause is the quintessential rebel (he’s actually better defined as the loner), the truth is that the rebel takes the loner attributes to the next level as they push up against anyone and everyone, walking strictly to a beat of their own drum without caring what others think (John Bender in The Breakfast Club). Everyman: The peril of presenting a character designed to represent everyone is that he will appeal to no one. 15. Example: A stock character from the Harry Potter series is Professor McGonagall, the stereotypical strict, rule-abiding teacher. Tybalt is an example of a stock character. An antihero must have a solid foundation on which to stand. They care for the hero and want to be in the hero’s life, which usually starts with conflict at first. Redshirt — The expendable character that is never given much backstory and usually dies soon after being introduced. Egomaniac — They like to be the center of attention and usually are often very insecure, overcompensating for a deep need to be loved and/or revered. Does the cast of characters in your novel or short story fall under some of these categories? What are the types of characters screenwriters can use to mold within their own cinematic stories? You'll also get three bonus ebooks completely free.
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