And it just kept getting better and better and better. I say, “Don’t go there.” Because what happened was, someone ran out with a red envelope. I thought it would get a distributor—I thought it was good enough for that. [9][10], In September 2013, A24 entered a $40 million deal with DirecTV Cinema, where DirecTV Cinema would offer day-and-date releases 30 days prior to a theatrical release by A24; Enemy was the first to be distributed effectively. No!”. I mean, I have no idea what they’re doing, really. A24 Founders David Fenkel, John Hodges and Daniel Katz | Photo Credit: David Crotty/PMC The New York-based Production House was founded in August 2012 by Daniel Katz, David Fenkel and John Hodges. Katz, Fenkel, and Hodges, prior to A24, worked in film and production, before leaving to eventually co-found the company, originally A24 Films, which specialized in film distribution. They just seem like they’re the first company that’s really abandoned a lot of the old models. Fenkel: If you look at our films, we bought The Lobster in February and released it in May. Film-distribution companies tend to be important but invisible: They buy finished films, cut trailers, make posters, and put movies into movie theaters—or, more often these days, dump them onto VOD, never to be heard from again. And I think that really helped the movie. That’s completely nuts. But then also do things that other companies aren’t doing. Other companies wanted to do stuff with it. But I think she saw this, and it hijacked her image and personality, and we didn’t ask her. It’s exciting. Like Under the Skin, Locke, Enemy. They don’t have the personality of movie executives. But I do remember finally looking over, because I didn’t know where they were sitting, and I spotted Dan Katz and Dave Fenkel, and, man, the smile on their faces! None Of Us Thanked Them. We step up to a guy we really respect. A24 is an American independent entertainment company founded on August 20, 2012,[3] by Daniel Katz, David Fenkel, and John Hodges and based in New York City. We’re putting together a gift basket of glass guns and a gift basket with munchies…”. The next day it was like, “Anything’s possible.”. Ainzenberg: I remember I went and had to meet with Selena Gomez’s team to prove that we were real people and we were gonna be legitimate in releasing the film. Their hair and makeup people, actually, are the people that had an issue with this. So everything had to be explained to me, and by the time it was explained, it was over. When I was explaining to people what I was doing, it felt like a political campaign. A24 is an American independent motion picture company formed in 2012 by marketing and distribution veterans Daniel Katz, David Fenkel and John Hodges. Katz: And we were all like, “You know what? [16] In June, the company, along with Oscilloscope and distributor Honora, joined BitTorrent Now to distribute the work of their portfolio across the ad-supported service. They’re super-smart people. Let’s run there. But in general distribution is like plumbing: unseen, unnoticed, and notable only when it malfunctions. Sacco: You’re not like, “Oh, we got a Best Picture winner!” You’re just like, “Oh, we got a great movie.”. Worst case, you’ll get the trench-coat crowd.” You know what the trench-coat crowd is? And The Place Beyond the Pines. [13], In January 2016, Sasha Lloyd joined the company to handle all film, television distribution and business development in the international marketplace. In pretty decent seats, actually. That was just acting!” It was not like being in a cinema. At the same time, we get a call saying that Selena and Ashley [Benson], their hair and makeup team hadn’t gone on the private jet we had got for them, because they didn’t think it was big enough or secure enough. Sacco: Frances Ha was the first heartbreak. You get a movie with them and it represents something. Fenkel: And they were like, “You can’t do that! Fenkel: We test-screened [Spring Breakers] in downtown Manhattan. I just started talking. The company's focus lies in the production of film and television, along with the distribution of movies, television series and daily soaps as well as its rights. Noah Sacco (head of acquisitions and production, A24): I think some of our biggest movies had no stars in them at the time of release—Ex Machina, Moonlight, The Witch, Room, The Spectacular Now. And then it’s like on the biggest stage, I didn’t thank anybody! Barry Jenkins (director, ‘Moonlight’): A24’s the kind of company where they say, “Yeah, they don’t need to know what it’s about. Ask for forgiveness.” I think it just showed that we cared about these movies so much. How do we get Spring Breakers?” And then Noah got Spring Breakers. A24 is an American film distribution, production, and finance company formed in 2012 by marketing and distribution veterans Daniel Katz, David Fenkel, and John Hodges. And I felt with these guys it was a dialogue. This is Rudin. The world opened itself up.” And it satisfied something they weren’t getting. It wasn’t just that, for a new distribution company, it seemed to have a level of taste and an instinct for cool that is atypical in Hollywood. And we put in Oscar statues in his hands. For more articles relating to A24, see, 2014–2017: Television and later productions, 2018–present: Management changes, partnerships. I dunno!” I mean, it made sense at the time. Not heyday. It’s super inspiring. People are like, “Oh, I would have green-lit that!” I’m like, “Come on!”, Sacco: We had been talking about finding a person to produce for a long time. He booked the theaters over the phone. First movie’s gonna be so exciting!” And I remember everyone came back from that test screening. The story behind the studio that brought you “Moonlight” and “It Comes At Night”, as told by Barry Jenkins, Sofia Coppola, James Franco, Robert Pattinson, and the founders of A24 themselves. Fenkel: I was at the Union Square theater, and they couldn’t have had enough theaters. Katz: In LA—whatever just transpired last month, you feel it in LA. Katz, Fenkel and Hodges prior to A24 worked in film and production, before leaving to eventually co-found the company, So I’m showing up to the airport with no luggage and a cardboard box with duct tape wrapped around it. [19][20] Episodes are based around a discussion between two members of the film industry. It specializes in film distribution, and film and television production. And then you meet Barry and hear Barry talk, and it’s like, “Of course! Your vision is incredible.”. [18], On February 20, 2018, A24 launched a podcast titled The A24 Podcast. I Just Raised The Oscar At Them. And then we drank a huge amount of red wine. And Under the Skin, from Jonathan Glazer, is one of my favorite movies in the past 15 or 20 years, you know? David Fenkel is a producer and co-founder Oscilloscope in 2008 along with Adam Yauch, which he left the presidency in the spring 2012 after the unexpected death of Adam Yauch, and launched A24 in New York City in August 2012. Founded by in 2012 by Daniel Katz, David Fenkel and John Hodges, A24 Films is the production company behind popular movies such as “Room,” “Ex Machina” and “Lady Bird,” to name a few. Franco: I hope they don’t get too big that they forget what got them started. Sacco: Gun bongs. Katz: People say, “Oh, Barry, why didn’t you bring us Moonlight?”As if that was the most obvious Best Picture! I don’t think that switch in psychology is supposed to happen that dramatically, or that abruptly. But you’re like, “Why didn’t other people see that?” I have no idea. They have a very good understanding of the Zeitgeist. Fenkel: I remember we were just getting to know Scott Rudin. Coppola: I was a little nervous about not going with a company that I knew had a track record, but I knew that they were going to really do their best. Beyer: I think the operating principle was, “Don’t ask for permission. Despite lacking any pre-defined structure, episodes generally contain discussions around recent works of the two guests, allowing for branching discussions to other areas. They rented some office space in Manhattan. So I think they were hoping, and discovering, that they might be able to do that with The Witch. So when I saw that, I was like, “Okay, those guys, they know what they are doing.”. I felt like there was a huge opportunity to create something where the talented people could be talented. We were watching it the whole time. Or a director. And yeah, I just think that it takes—it doesn’t happen that often that a new studio starts. A24 is an American independent entertainment company founded on August 20, 2012, by Daniel Katz, David Fenkel, and John Hodges and based in New York City.It deals with independent movies and television shows. Moonlight we hadn’t seen yet. Aizenberg: When I came to A24, they had Charles Swan already. I actually tied with Jared [Leto], who obviously won the Oscar that year, for L.A. Film Critics. Beyer: There were like a few ads that we made. Fenkel: [Katz] is a better runner than I am. Igoe: That morning was crazy. And there are studio subdivisions, like Fox Searchlight, that have consistently guided films like 12 Years a Slave and Birdman to Academy Awards and box office success over the past twenty years. Aizenberg: I remember that Sunday we all got on the phone and were like, “We’re going over a thousand screens.”. People had thought that entire part of the industry had just died. Katz: Some of it was probably misplaced, don’t you agree? Aizenberg: I was already, like, putting together the distribution plans for Frances Ha. Which, if you look two years back, there’s just no way in hell anybody would have thought that A24 would finance a film like Moonlight and release it in the way they did, to the tune of a Best Picture and $55 million in international box office. Where it’s like: I’m in. Jenkins: What they’re doing is so fluid and free-form that two years from now, it could be quite different than it was two years ago. You’re incredible. As Katz explained, “I always had dreams of [starting a company]. And I’m not saying they’re magicians. And you could tell that it was in their reach. A24 founding partner John Hodges announced that he will be leaving the indie studio that he helped launch nearly six years ago, the company announced Monday. Colin Farrell (actor, ‘The Lobster,’ ‘The Killing of a Sacred Deer’): They have such a great eye for these small little films and rich and unique stories that may have not found it to the big screen if it wasn’t for them. [5], Guggenheim Partners provided the seed money for A24. Since 1957, GQ has inspired men to look sharper and live smarter with its unparalleled coverage of style, culture, and beyond. But we got A Glimpse Inside the Mind. Katz: We get there. If you were paying attention, you had to wonder: Who were these strange upstart New Yorkers who were making Hollywood a little bit great again? And with the opening weekend, with the numbers that we did, it became very clear that, yes, this is a viable strategy, to keep this very small, gay, art-house hood-ass film—like, yeah, we’re just gonna keep it in theaters. All rights reserved. [23], On November 13, 2019, A24 entered into a premium cable television broadcast deal with Showtime Networks, covering all film releases through November 1, 2022. You lost. I think what they’ve understood is there’s a sufficient number of people out there who want more challenging or different material. We were like, “I’m pretty sure this is gonna be Star Wars, but maybe Mad Max.” That’s what I said to them right before. They’re just on it. We closed the deal on The Bling Ring on the way to Sundance. Aizenberg: There was a week in January where we dropped the trailer of Spring Breakers. ‘Moonlight’ is nominated for eight Academy Awards, including Best Picture, Best Director, and Best Supporting Actor, but loses Best Picture to ‘La La Land’—wait, what? Love that movie.” When it wasn’t us. Focus and Fox Searchlight had become kind of isolated in what they did. They wanted, like, the Disney, massive one. Jenkins: I just would never allow myself to believe that something I made could win Best Picture. They’re making people want to go to the cinema again to see this kind of stuff, rather than staying at home. Hodges had run A24 with David Fenkel and Daniel Katz as a ruling troika, albeit one that operated without offices (located in Chelsea, the company was … Four short years later, the company’s first original production, Barry Jenkins’s Moonlight, won the Academy Award for Best Picture. You know what?” “Trench coat” was enough. It was like being in some kind of arena. Dede Gardner (producer, Plan B, Moonlight): When we and Barry said it was absolutely critical that we shoot in Miami, they said, “Of course it is.” And you know, many, many others would’ve said, “Well, you can get the rebate if you go to Atlanta.” But anyone who’s read it knows that Liberty Square and that particular light and that particular culture was a character. Fenkel: The world kind of shifted in its direction, where the film was for an audience, and then you realize, “Whoa, the movie is needed by other people. To revisit this article, visit My Profile, then View saved stories. When it happens again and again, that’s very, very intelligent work and planning. [6][25], "A24 Films" redirects here. I remember the thing that got him was like, “Listen. In 2013, A24 released their first five films: Sally Potter’s ‘Ginger & Rosa’, Harmony Korine’s ‘Spring Breakers’, Sofia Coppola’s ‘The Bling Ring’, James Ponsoldt’s ‘The Spectacular Now’, and Roman Coppola’s ‘A Glimpse Inside the Mind of Charles Swan III’, starring Charlie Sheen. But we said, “Let’s invest in it.” There’s a difference. Fenkel: We had a meeting. Sacco: And people on planet Earth, you know, they go see movies that they need to want to see or hear about. A24 was founded in New York in 2012 by Daniel Katz, David Fenkel, and John Hodges. And it was like…. And they even never uttered the words, “What would it be like in a cheaper state? It was our first Sundance all together. Hodges: The office literally looked like a pump-and-dump stock operation. We had to get a second one. And I was with a bunch of friends, and we were in the south of Italy, and we were driving into Rome and I kind of had this moment of clarity. Heavey: People were, like, crying. The company also announced that they would also finance and develop pilots. In 2012, Fenkel, Hodges, and Katz left their jobs—at Oscilloscope, Big Beach, and Guggenheim Partners, respectively—to start A24. Operator of an independent entertainment company in the United States. A24 was founded on August 20, 2012, by film veterans Daniel Katz, David Fenkel, and John Hodges. A24 went on a spending spree and released 11 movies in their second year of operation. There was nothing bad-spirited about it. Aizenberg: That Oscar-nomination morning, I remember walking into the office that day, and I was like, “Please, dear God, just let Amy and Brie get nominated. Katz: David and I are sitting next to each other. Katz: I think if you had asked us beforehand, we would have said, you know, La La Land’s gonna win. And we weren’t thinking about that. And I remember hearing she was really upset. [14] The company, with cooperation from Bank of America, J.P. Morgan & Co. and SunTrust Banks, also raised its line of credit from $50 million to $125 million a month later to build upon its operations. It wasn’t going to get lost in the shuffle. Ad Choices. Fenkel: Well, of course Selena Gomez in a bikini worked. When you can get a distribution company that likes the film for the same reasons that people that made it like the film—I’ve found that rare. But the back end was so crazy. They specialize in film and television production, as well as distribution. James Franco (actor, ‘Spring Breakers,’ ‘The Adderall Diaries’): This is one of the things they’re great at: taking something small and delicate and giving it the kind of support that other people can’t. Aizenberg: I think we knew we had something at South By. They just need to know how it feels.”. We had a good history. Nicolette Aizenberg (distribution executive, A24): It is very cyclical. “Hollywood is run by accountants at this point. And we got Best Picture [also for Room]. And we broke records. Fenkel: And we did this, like, illegal Tinder stuff. Fenkel: I stare straight ahead. And the guy asked me, “Is there anything we might find suspicious in there?” I said, “There’s an art piece inside in the shape of a gun.” And literally the entire security department was like, “What is wrong with you?” Long story short, it made it through. We’re gonna put it in theaters, and we’re gonna find a way to keep it there.” Now, look, at that point, none of us were thinking, “Hey, we’re gonna win Best Picture!” But we wanted to give the movie the chance to have as much of a life as we possibly could. So everyone’s wrapping up this gift basket that I’m supposed to deliver to Megan [Ellison, one of the producers of Spring Breakers, who was on location in Pittsburgh] and say, like, “This is why you should go with us. They kept shutting us down. Pattinson: They’re definitely the place to be now. You know more than me.”. So that was like their heyday. If anything, it was the bastard stepchild at that point. Maybe we weren’t geniuses with Spring Breakers, but we were the ones who said, “Let’s put it in theaters, because we could build on that.” People liked Spring Breakers. All the actors had taken the risk. We’re passionate. Igoe: Even with Ex Machina at the time, we were getting bigger, but we still had that kind of start-up mentality that I don’t know we’d be able to get away with now. We all go nuts for a few minutes, and then we’re all like, “Okay, what do we do?”. I was like, “I think I need to find another job.”, Aizenberg: They were basically like, “Don’t release this movie.”. I…I was tasked. Daniel Radcliffe (actor, ‘Swiss Army Man’): I’ve had experiences on films in the past where they get bought by somebody who sees something in it that they like, which is nice, but it also happens to be not—and is sometimes antithetical to—what the people who made the film wanted it to be. Nandan: I remember seeing a screener of [The Witch], and yeah, it was like, oh, right, how’d that movie not sell for more money? Selena and Ashley had no issue with this. “‘Spring Breakers had a whole Oscar campaign: ‘Consider This Shit.’”—Zoe Beyer. Coppola: That was the worst. And on some level, honestly, I was afraid to go out on my own and try to make it work. [15] In April, the company acquired all foreign rights to Swiss Army Man, distributing the film in all territories, and partnering with distributors who previously acquired rights to the film, a first for the company. I think we all were kind of a bit shell-shocked. Not necessarily, like, to win Best Picture and ten Oscar nominations. I don’t mean it that way. GQ may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. It was millions in one day. Jenkins: I don’t know if [Moonlight] was a glittering jewel of a project. Beyer: I remember when we had Room, like, six months after Ex Machina or something, Fenkel was like, “What’s the Tinder for Room?” And I was like, “No, no! Fenkel: Lenny [Abrahamson, for Room] beats out Ridley Scott! They became better known after picking up the U.S. rights to Ex Machina and Room, and worldwide rights to The Witch, growing substantially since then. The films were darlings—including David Michôd’s ‘The Rover,’ starring Robert Pattinson; Denis Villeneuve’s ‘Enemy,’ starring Jake Gyllenhaal; and Jonathan Glazer’s ‘Under the Skin,’ starring Scarlett Johansson—and, by and large, box-office underperformers. And, you know, partly as a filmmaker, you’re like, “My God!” I open the curtains when I’m in L.A., and everywhere I see films on billboards. It wasn’t disrespectful. And the interns are running around trying to find a glassblower. And then, in ’08, the bubble burst, and the economic downturn probably had a little bit of impact. Franco: I actually did win some awards. [21], On March 26, 2018, co-founder John Hodges announced that he was exiting the company. David Fenkel and I have had some great conversations about film - the whole A24 team have a great and deep love for cinema. Background: A24 Films is an American film distribution, production, and finance company formed in 2012 by marketing and distribution veterans Daniel Katz, David Fenkel, and John Hodges. [Sofia] was like, “Oh, will you at least partner with Harvey?” We were like, “No!”. Fenkel: I’d love to say from the first cut we knew. No one cared about our language or our clothes. (February 8, 2013-) Add a photo to this gallery Logo: On a retro-style black background, a white stripe flies down diagonally with colorful shadows. It was crazy. It was, like, every time another person walked out, I was like, “Oh, there goes another one!”, Sacco: All my friends and family, they kept asking about this new company. A24 is an American independent film company founded in 2012 by Daniel Katz, David Fenkel, and John Hodges. Fenkel: So he’s booking, what, fifteen hundred screens? John Hodges (co-founder and co-head of TV, A24): It was one of those conversations where it was always like, “How would we do it differently?” And it was usually fueled by beer and things scribbled down on napkins and a lot of bravado. Annapurna Pictures/courtesy Everett Collection, Moonlight’s Mahershala Ali Picks His Own Oscar Winners. I felt bad that David had to be put through that. I just trust, you know, Drag City or Merge or SST or Dischord. They specialize in film and television production, as well as distribution." Originally starting with distributing films, it would later become known for its production of several acclaimed films, including Hereditary, The Lighthouse, and Uncut Gems. Eventually, on August 20, 2012, the company was established by a trio of co-founders, who all had experience working in film and production—Katz, along with David Fenkel and John Hodges. Whoa!” Because they’d made a curated, awesome, crafted film. Katz: Tusk, we were like, oh, Kevin Smith! Scott didn’t say anything. Franco: I remember the South by Southwest festival, the screening—it was like a rock concert. A24 is an American independent entertainment company founded on August 20, 2012, by Daniel Katz, David Fenkel, and John Hodges and based in New York City. Fenkel: More than 50 percent chance La La Land. Fenkel: That kind of hit. That’s not a go-wide movie. If it’s gonna be released the same way by another company, we usually don’t go after it. See what happens.”. Garland: Under the Skin is exactly the kind of movie that you would not see distributed by a major studio. And you can really see over the past few years, it really, really hasn’t at all. Katz: We broke the record that weekend. Radcliffe (actor, ‘Swiss Army Man’): I could see them saying, like: “We’ve got a reputation now, and have money now.” A lot of people in that position would then go, “Okay, let’s become quite conservative in our choices.” And what’s lovely is they are choosing to still channel that stuff back into supporting weird, different, ambitious ventures. Kapadia: They’ve won Best Picture. He’s not gonna be able to do this right now.” Our first release. As of 2019, the company has received a total of 25 Academy Award nominations. Katz: We did great movies. You look at the underdog story, I think that’s not by accident. Katz: Yeah! Aizenberg: Ex Machina winning for visual effects was the most shocking thing. From award-winning writing and photography to binge-ready videos to electric live events, GQ meets millions of modern men where they live, creating the moments that create conversations. Eggers: In the very beginning, when we went to Sundance initially, I didn’t think that this was going to have such a large audience. It’d be very unlikely for that to happen. It was like two hours before, and they were like, “He’s not gonna make it. In 2012, Daniel Katz, David Fenkel, and John Hodges left their jobs at Guggenheim Partners, Oscilloscope, and Big Beach, respectively, to start a new, independent film company aimed at redefining the way indie movies were made and marketed. They came on strong in the late 90s, really. Since then, they have opened an LA office in West Hollywood called A24 LA. I liked the fact that they had never made a doc. Aizenberg: When I started, we didn’t have Spring Breakers yet, but the whole focus of that very first meeting I went to was like, “How do we get Spring Breakers? Franco: All the distributors knew it was great. A Glimpse Inside the Mind of Charles Swan III, Anthony Jeselnik: Fire in the Maternity Ward, Frankenstein's Monster's Monster, Frankenstein, "A24 Open Doors For Film Production, Finance, And Production - Movie City News", "A24 Teams With Plan B & Adele Romanski To Produce And Finance Barry Jenkins', "Hollywood, Disrupted: Inside the Scrappy Film Company that Made "Moonlight" and "The Witch, "Upstart Distributor A24 Is Making Indie Films Exciting Again", "Nicolette Aizenberg Joins A24 As Head Of Publicity", "A24: the brains behind 'The Bling Ring' zing", "DirecTV Pacts with Indie Film House A24 for Early-Release VOD Titles", "Amazon Prime, A24 Announce Exclusive Multi-Year Streaming Deal", "Sasha Lloyd Takes Top International Post At A24", "A24 Says It Will Boost Film And TV Operations With Raise in Bank Credit Line", "A24 To Handle 'Swiss Army Man' Global Release In Company's First World Rights Move; New U.S. Release Date – Update", "A24, Oscilliscope, Honora Join New BitTorrent Now Program", "A24 Lands Sundance Film 'Menashe;' First Foreign Language Film For 'Moonlight' Distributor", "The A24 Podcast by A24 on Apple Podcasts", "A24 Founder John Hodges To Part Ways With The Company", "Apple Taps A24 to Produce Slate of Films", "Showtime Networks Inks Output Film Deal With A24", "Jerrod Carmichael Comedy Nabs Series Order at NBC", "HBO to Debut Comedy Special JERROD CARMICHAEL: 8, 3/11", "Amazon Sets Premiere For Romanian Comedy Cop Spoof 'Comrade Detective, "HBO Orders 4 More '2 Dope Queens' TV Specials", "Why Drew Michael Dropped the Audience for His HBO Special", "Hulu Picks Up Mindy Kaling's 'Four Weddings And A Funeral', Ramy Youssef Comedy To Series", "A24 Checks in to VivziePop's Hellish 'Hazbin Hotel, "A24 Wins Hot Novel 'Memorial' By Bryan Washington For TV Division", https://variety.com/2020/tv/news/arturo-castro-joins-joseph-gordon-levitt-apple-series-mr-corman-exclusive-1203528815/, https://www.indiewire.com/2021/01/a24-kelly-reichardt-michelle-williams-amy-adams-1234611918/, "A24 And Scott Rudin Productions Land The Rights To Douglas Stuart's 'Shuggie Bain' With Plans Develop For TV", "Ziwe to Star in and Produce Variety Series at Showtime", https://en.wikipedia.org/w/index.php?title=A24_(company)&oldid=1006335882, Film production companies of the United States, Entertainment companies established in 2012, Entertainment companies based in New York City, Articles containing potentially dated statements from February 2021, All articles containing potentially dated statements, Creative Commons Attribution-ShareAlike License, This page was last edited on 12 February 2021, at 09:42. In the fall of 2012, A24 arrived at the Toronto International Film Festival with a plan to acquire several movies. With how bad it tested. [11] That same year, A24 entered a deal with Amazon Prime, where A24-distributed films would be available on Amazon Instant Video after becoming available on DVD and Blu-ray. So, um, well done, A24! There’s aesthetic and political values to the people behind the company. Since its founding in 2012 by Daniel Katz, David Fenkel, and John Hodges, A24 has become one of the most notable indie film studios of The New '10s, with an emphasis on individual voices and creative freedom for filmmakers, producing films that run the gamut of genres. There was this weird time. Sasha Lane (actress, ‘American Honey’): They were like, “You guys are who you are and we’re not going to change that.” No one had to be perfected for anything. David Fenkel (co-founder, A24): We find movies [for which] our perspective, our system, our people, can act to make it something special. Jenkins: They were like, “Look. Villeneuve: If my memory’s good, I was amongst their, not their first movies, but they were a young company at the time. We took a risk on the movie, and it fucking paid off, so why should we cut down our back end? They didn’t have a ton of movies, you know? How great it was. Katz formerly led the film finance group at Guggenheim Partners, Fenkel was the president, co-founder and partner at Oscilloscope, and Hodges served as Head of Production and Development at Big Beach. Katz: I don’t think we had The Bling Ring yet. I Was Like, ‘Fuck Yeah!’”—Barry Jenkins. I think he would say something now. Fenkel: Look at The Witch.
Sulphur-crested Cockatoo Interesting Facts, Adelaide Pitch Report, When To Release Hibernating Butterflies, Actor Jai Akash Marriage Photos, Lrg Meaning In Facebook, Gardaworld Afghanistan Reviews, Jason Calacanis Linkedin, Pineapple Crack Recipe, Avengers Fanfiction Peter Sleeping On The Ceiling, Colorado Springs Police Scanner Twitter,